From the Studio to AI – My Story of Architecture and Design From Photoshop to Prompts – How AI is redefining design work

When I started with design, it was mainly one thing: hand work.
My first concepts were made with markers, felt pens, ink and sometimes also with oil or watercolor paints. Layouts were cut out and glued together as collages. Ideas were created on paper, not on screens. The process was slow, physical and sometimes chaotic – but exactly this had also a special attraction.

Over time the computer arrived - My first two computers were an Atari 1024 and the Mac Plus 😉 (yes I am old).

Programs like Photoshop (my first one was Photoshop 1.2 - just monochrome and just one Layer)  and Illustrator became the center of design work. Suddenly you could move layouts, change colors, duplicate layers or create variations in minutes. Mistakes were no longer a big drama – you could simply undo them. Digital tools accelerated design enormously and also made it more democratic. At the same time they created new standards: precision, repeatability and complex visual systems became possible.

For many years this way of working felt stable. Of course there were new features and updates – but the basic principle stayed the same: designers design, software supports. And I wish it stays that way.

But right now we are experiencing a much bigger shift.


Artificial Intelligence is changing design work fundamentally.

Tools like generative image systems, automated layout generators or AI-supported design assistants can today do tasks that earlier took hours or even days. Images are created from text descriptions, variations are generated automatically, whole design systems can be analyzed or extended within seconds.
This does not only change the speed of the work – it also changes the role of designers.

Part of the classical production work is disappearing. Tasks like creating visual variations quickly, cutting out images or generating icons and illustrations are increasingly automated. What earlier required craftsmanship is now partly done by algorithms.

This can be frightening.

Especially for young designers an important question appears: if many entry level tasks become automated, where do you still learn the craft? Where do the experiences come from that earlier developed through years of practical work?


At the same time there are also huge opportunities.
AI can free designers from repetitive tasks and create more space for conceptual thinking. Ideas can be tested faster and unusual directions can be explored more easily. The creative process becomes more experimental and maybe also more brave. Instead of working long time on one single variation, suddenly you can play with dozens of approaches.
Design may become less production work – and more curating, strategic and conceptual work.
Still, this development leaves me with mixed feelings.


On the one hand I am fascinated by the speed and the new possibilities.
It was never so easy to visualize unusual ideas or explore creative directions. The tools give us a flexibility that was almost unthinkable only a few years ago.

On the other hand I also ask myself what might get lost. The slow learning. The understanding of the craft. The small detours in the creative process that often led to surprising solutions.

One thing is clear: design work will continue to accelerate. And this acceleration will have consequences – for workflows, for professional roles and also for jobs.

Maybe the challenge of our time is to combine both: using the possibilities of the new tools without losing the real core of design.


Final Thoughts

Because in the end design is still about ideas. And good ideas do not only come from tools – they come from curiosity, observation and the human perspective.

The real question for the future is not only what we can design with AI, but also how we decide to use it.

Technology has always accelerated human progress. But as I discussed earlier in my article about the Great Acceleration and our digital environment, technological growth also brings responsibility. Digital systems shape behavior, attention and decisions in everyday life. Designers therefore cannot only think about efficiency or innovation — we also have to think about ethics.

This becomes even more important with the rise of generative interfaces and generative UI, a topic I explored in another article. If interfaces are increasingly created dynamically by AI, designers will no longer design every screen in detail. Instead we will define rules, systems and ethical boundaries for experiences that are generated in real time.

In that sense the role of designers may not disappear — it may actually become more important.

AI will accelerate design work and change many tasks. Some jobs will evolve, some may disappear. But it also opens possibilities to explore ideas faster, experiment more freely and imagine solutions we could not build before.

The real challenge is not the technology  —  The real challenge is how consciously we decide to use it.

Because the future of design will not be decided by AI — it will be decided by the people who design — with soul and heart  💛💜💚💙






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